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    <loc>https://www.mouminatouthiaw.com/writing/artist-spotlight-chelenge</loc>
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    <lastmod>2024-07-07</lastmod>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism - Chalenge Van Rampleberg is a beloved contemporary Kenyan visual artist celebrated for her sculpting, printmaking and painting. On November 2nd, 2023 the Nairobi Contemporary Art Institute opened its doors to exhibit her exceptional body of work in the solo exhibit titled, ‘The Long Way Home’. For the very first time, Chelenge exhibited artworks inclusive of her nearly four decade-long career. Chelenge blends enigmatic and familiar shapes in her sculptures which illuminate interwoven expressions of motherhood, ecological connection, and Africanity, to actively engage viewers in deep inspection of collectivity, and engage critique of white-capitalist-patriarchy. Her wood sculptures in “Long Way Home” reference these recurring themes and in doing so, join in conversation with AfroWomanist Artivism that advocates for equity, audacious love and ecoharmony from the perspectives of women of the African Diaspora.</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism - i am accused of tending to the past Lucille Clifton i am accused of tending to the past as if I made it, as if i sculpted it with my own hands. i did not. this past was waiting for me when I came, a monstrous unnamed baby, and i with my mother’s itch took it to breast and named it History. she is more human now, learning language everyday, remembering faces, names and dates. when she is strong enough to travel. on her own, beware, she will.</image:title>
      <image:caption>from her collection, Quilting: Poems 1987-1990</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/d4f86cdb-b836-48fb-a2a6-31d317770d06/IMG_7758+3.jpg</image:loc>
      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism - homage to my hips. Lucielle Clifton these hips are big hips. they need space to move around in. they don’t fit into little petty places. these hips are free hips. they don’t like to be held back. these hips have never been enslaved, they go where they want to go they do what they want to do. these hips are mighty hips. these hips are magic hips. I have known them to put a spell on a man and spin him like a top!</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism - The Jacaranda wood sculpture, Elephant Woman, made by Chelenge in 2004, is a figure where light and shadow direct viewers to consider the intertwined postures of ecological justice and AfroWomanism. On one side, light hits the shapes of a breast and a large elephant trunk; on the other side, shadow conceals a large eye which, in its shelter, sees viewers before we see it. While the eye subverts the passive spectator, the proportions and protrusion of both trunk and breast become phallic objects that castrate the poaching gaze of white-capitalist-patriarchy. Carved hips are balanced opposite to the trunk, and the leading lines of the etched braids create visual harmony and asymmetrical balance in the sculpture. As the line of vision moves from top to bottom, Elephant Woman stands as an Artivist exclamation of AfroEcoWomanism to forefront the perspectives of African women in critically and creatively confronting empirical capitalist regimes for their exploitations of both women and the environment.</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism</image:title>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism - On  the Chair of Love (Kenya Kiti cha Upendo) 2018</image:title>
      <image:caption>Woodcut Print on Paper (Chapa ya mbao kwenye karatasi)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1717967216557-FC7OJSVWVSVU9B0EKA1V/chelenge13.jpg</image:loc>
      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism - Happy With Music (Kufurahia Muzak) 1992</image:title>
      <image:caption>Oil on Paper (Rangi za mafuta kwenye karatasi)</image:caption>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism - Loving Them the Way They Are (Kuwapenda Jinsi Walivyo) 1995</image:title>
      <image:caption>Woodcut Print on Paper (Chapa ya mbao kwenye karatasi)</image:caption>
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      <image:title>WRITING - With my Mother’s Itch : SHAPEin’ AfroWomanist Artivism - Make it stand out</image:title>
      <image:caption>My Life’s Journey (Safari ya Maisha Yangu), 2022, Acrylics on canvas</image:caption>
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  </url>
  <url>
    <loc>https://www.mouminatouthiaw.com/writing/trepe8vvot10841h7rx06umboth78m</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-10-18</lastmod>
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      <image:title>WRITING - ARTIST SPOTLIGHT : KWAKU OWUSU ACHIM - I was invited to visit Achim at Crescents Studio in Accra, where he works alongside artists Joshua Oheneba-Takyi, Clifford Bright-Abu, and Kwabena Lartey. During my visit he shared about a town in the eastern part of Ghana, called Adamrode, in which 20% of its population is deaf. In this town, those who are deaf must marry with hearing people by law; the motive of this law is that the population of deaf people would diminish over time.</image:title>
      <image:caption>Achim also shared that the people of this town believe in both hearing and deaf gods, and they know which type of god they are communicating with when the priests dance one beat, or off beat, during ceremonies.</image:caption>
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      <image:title>WRITING - ARTIST SPOTLIGHT : KWAKU OWUSU ACHIM</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : KWAKU OWUSU ACHIM</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1708853949156-M61KPT4WJUQRAVC44SPG/Untitled-69.jpg</image:loc>
      <image:title>WRITING - ARTIST SPOTLIGHT : KWAKU OWUSU ACHIM</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/7341bb3d-4202-490f-90dc-3444db3f713c/Untitled-106.jpg</image:loc>
      <image:title>WRITING - ARTIST SPOTLIGHT : KWAKU OWUSU ACHIM - Kwaku Owusu Achim is a Ghanian born artist from Kwahu, an area in the eastern region connected with the Twi-speaking Akan; he creates sign-love-languages which he calls hand signs in his enigmatic works to express the push-and-pull of unity, familial love, intimacy and AfroDiasporic spiritual knowledge. His tenebrous backdrops electrify the signature blues, oranges, yellows and occasional greens of his artscapes to construct a mystic visual world in which he explores his learning about west African spiritual traditions, readings and conversations. Achim uses the body lines of his figures, a high-contrast color palette, and the sign-love-language system of his hand signs to create compositional balance and visual harmony in AfroSpiritual ArtScapes.</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : KWAKU OWUSU ACHIM - Part of "nkonta buo series"</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : KWAKU OWUSU ACHIM - shown at O'DA Art</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : KWAKU OWUSU ACHIM - Lagos, Nigeria 2022</image:title>
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  </url>
  <url>
    <loc>https://www.mouminatouthiaw.com/writing/zanzibar-street-art</loc>
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    <lastmod>2024-03-06</lastmod>
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      <image:title>WRITING - ZANZIBAR STREET ART - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/3bcef11c-243f-4f7b-b828-6796fd1b7e9d/IMG_9144.JPG</image:loc>
      <image:title>WRITING - ZANZIBAR STREET ART - “We’re trying to identify the most encouraged artists behind this movement, but its really hard because I usually deal with the shop owner, and sometimes the pictures are so old that they don’t know who painted them, or maybe the art was there before they owned the building. But a few times we find signatures and mobile numbers, some which are working and some which are not”.</image:title>
      <image:caption>- Dáriusz Gwizdala</image:caption>
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      <image:title>WRITING - ZANZIBAR STREET ART - Make it stand out</image:title>
      <image:caption>Guest house mural painted with local children from Paje</image:caption>
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      <image:title>WRITING - ZANZIBAR STREET ART - Make it stand out</image:title>
      <image:caption>Schoolhouse mural in Paje</image:caption>
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      <image:title>WRITING - ZANZIBAR STREET ART</image:title>
      <image:caption>Thank you to the Artists of Zanzibar for coloring the island with Creative Graphic Arts. And a very special thanks to Dáriusz Gwizdala and the work of his team, for the commitment to contextualize, document and spotlight Zanzibar Street Art. What a joy it was to see.</image:caption>
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  </url>
  <url>
    <loc>https://www.mouminatouthiaw.com/writing/roadside-runway</loc>
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    <lastmod>2024-01-10</lastmod>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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      <image:title>WRITING - ROADSIDE RUNWAY</image:title>
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  <url>
    <loc>https://www.mouminatouthiaw.com/writing/alpha-odhiambo</loc>
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    <priority>0.5</priority>
    <lastmod>2026-10-19</lastmod>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO - Make it stand out</image:title>
      <image:caption>1 man 2 lives, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1699375256085-J2J0YZ19T9U5X8S8964O/10.png</image:loc>
      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO</image:title>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1699376648411-FI6EW6D08X1O7U58ZEBV/%E2%80%9CWe%E2%80%99re+an+art+collective+called+Sun+Valley%2C+we+empower+people+through+art+in+slums.+We+teach+kids+-+40+kids+from+our+local+community+and+around%E2%80%9D.png</image:loc>
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      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO - Make it stand out</image:title>
      <image:caption>Untitled, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/95229004-b73d-4b26-aa64-ff4700f589b2/Screen+Shot+2023-10-22+at+3.23.15+PM.png</image:loc>
      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO - Make it stand out</image:title>
      <image:caption>Dummy Democracy, 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/6fea42d6-b761-42d2-8bb7-e66f0dbd3a08/Screen+Shot+2023-10-22+at+3.22.01+PM.png</image:loc>
      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO - Make it stand out</image:title>
      <image:caption>Ready for Outside, 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/e0b07ea3-3217-41bc-bf6d-7c954db5a95d/Screen+Shot+2023-10-22+at+3.20.19+PM.png</image:loc>
      <image:title>WRITING - ARTIST SPOTLIGHT : ALPHA ODHIAMBO - Make it stand out</image:title>
      <image:caption>Untitled , 2021</image:caption>
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  </url>
  <url>
    <loc>https://www.mouminatouthiaw.com/writing/searching-for-succulents-ls7hz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1699985642033-L9YZIT88NF2SKAKJ8U06/3.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
      <image:caption>Klowangan stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1699985670725-IKAUR5JWAX3LM6S8U3JG/4.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
      <image:caption>The canting, wax and stove</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1699985611786-J89E6AHPQELMGXBRQCW5/IMG_8018.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
      <image:caption>Master of batik ten days into the second stage of creation</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1699985624478-RZ6S3I052A5GENOWNYDI/1.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
      <image:caption>Copper stamps</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697979724931-0D2EN0NP59LR3G7VT6J8/IMG_2575-2.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES - Kawung Motif</image:title>
      <image:caption>Batik Kawung is one of the oldest motifs in Java recorded in written and oral histories as early as the 16th century. Related to the word suwung, which means “emptiness”, the kawung motif symbolizes emptying oneself of worldly desires to grow in self-control, wisdom, purity and holiness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697979581865-B3OIOYJYTQTTO6TYOEGD/parang.jpeg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES - Parang Motif</image:title>
      <image:caption>Some motifs, called Larangan Batik, were forbidden patterns, meaning they could only be worn by the Sultan and his descendants. One such motif is called Parang, pictured above. It’s distinguished by its geometric ornamentation of parang daggers arranged in a diagonal line. A leader who wears this motif is expected to have intelligence, agility, strength, and power. The scale of the parang implied the degree of elevation of its wearer - the larger the motif, the more dignified.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697980308053-PCMEU9DRR4WCHH03L6RO/IMG_2812.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES - Burung Motif</image:title>
      <image:caption>The bird motif above is called burung, which depicts a peacock or a pheonix, symbolizing eternal life and regeneration. The creative style of the burung and its surrounding flowers records the touch of Chinese merchants who set aside the regulations of Islamic art traditions as they began designing motifs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697980416715-CMW2PHIBTTH74XT2GFIP/IMG_2657.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES - Garuda Motif, having two wings, this variation is called sawat. With one winging it’s known as mirong brituk, and without a tail it’s called lar</image:title>
      <image:caption>Hinduism and Islam have major influence on both color and symbolic designs in Batik. In Islamic art, surrealism is often used to imply living creatures because traditionally, Islam discourages figurative depictions of people, animals, and Allah. Below is an example of where Islamic and Hindu influences in Indonesia came together in the Garuda motif, symbolizing the Hindu god Vishnu with the body of a man and the head and wings of the Garuda bird.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697980556233-3CXI7O68Y5Q07IIVB80X/IMG_2804.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES - Sekar Jagad Motif</image:title>
      <image:caption>This shirt from a shop in Solo is made of sekar jagad motif, which can mean “map of the world” and includes many other motifs such as parang (bottom left), truntum (top right and middle in red), and kawung (top left).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697980565211-5MPES346ZXZPT1I0LNJ2/IMG_2803.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES - Contemporary Motif</image:title>
      <image:caption>This shirt from a shop in Solo contains parang, kawung, truntum, and contemporary floral motifs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697980597857-2JB5UZAFGTTN7UOXZRI1/IMG_2805.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES - Contemporary blend including Batik Kederi and Sekar Jagad</image:title>
      <image:caption>This shirt from a shop in Solo includes cherry blossoms influenced by Chinese merchant designers of batik, parang, kawung, and burung.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697981137933-QSJRGN3335MN45XCK8WD/IMG_1978.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697982889207-WTQD486KLMWYLWNPKB0A/IMG_1962.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697981344061-QIDD488AWUULUSV9WID6/IMG_1939.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES - Batik Pesisir</image:title>
      <image:caption>In Cirebon, on the western coast of Java, both Javanese and Sundanese kingdoms contributed to the development of Cirebon style batik. This motif in particular can be identified by the mega mendung or cloud pattern, due to the influence of Chinese merchants.</image:caption>
    </image:image>
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      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
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      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697981598259-LHU3B3VUYBLQEEJQXF2I/IMG_2826.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1697981623915-0GR640GLEH5QWROG15EB/IMG_2825.jpg</image:loc>
      <image:title>WRITING - JAVANESE BATIK : A HISTORY OF WAX-PRINT TEXTILES</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.mouminatouthiaw.com/writing/javabatik</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1694371272646-G36R5B5KE8XJTTWHOTWA/IMG_0999-2.jpg</image:loc>
      <image:title>WRITING - CONTEMPORARY BATIK FROM SWARA GEMBIRA - PASAR WASTRA</image:title>
      <image:caption>Bottom motif: Truntum, symbolizes love that keeps growing, that love must be nurtured and cared for like watered flowers, so it doesn't wither with time.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c267e7e333bc209c8093cd/1694371814757-IPY35IY5B4H2AUG80RDN/IMG_0996.jpg</image:loc>
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      <image:title>WRITING - CONTEMPORARY BATIK FROM SWARA GEMBIRA - PASAR WASTRA</image:title>
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      <image:title>WRITING - CONTEMPORARY BATIK FROM SWARA GEMBIRA - PASAR WASTRA</image:title>
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      <image:caption>This contemporary motif done on silk centers the rooster, which is a contribution of Chinese merchants to batik.</image:caption>
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      <image:caption>“Tenun Rangrang” meaning hand woven.</image:caption>
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